Elsewhere I have alluded to the idea that one is not necessarily bound to writing what they know. (See Writing What You Know: An Apparent Myth) Flights of fancy are always an option. Still, being able to describe a situation from personal experience gives the writer a certain verisimilitude. To that end, a writer’s ability to speak publicly opens up scenes, scenarios, plot lines, even.
But, that aside, it’s time to begin planning your Open Mic session.
Step one: Choosing your material.
If there is a really wonderful part of your initial experiences with Open Mic, this is it. You get to choose what you will read.
In most cases the reader is given up to 10 minutes for their presentation. Keep in mind that while you do not need to fill the entire time available, it is considered rude to go beyond the allotment.
Look through your existing work to find something that:
- Positively represents you and your writing
- Lends itself to being read aloud
- Would not exceed the posted time limit.
Long, complicated pieces which require prior knowledge for the audience to understand may not be the best choice. Although you will be able to introduce the piece you’ve chosen to read–a sort of verbal prologue–I recommend something that can stand-alone without a lot of explanation.
We’ll discuss prepping your work next time, but for now keep in mind that your choice of material should be something that you will not stumble over. Neither you nor your reader should come away from the experience uncomfortable or confused.
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You are so right. Choice of material is critical. Of course length is important and is dictated by the amount of time allotted by Open Mic. However, I also think material presented to the public should be your writing piece and not an advertisement for your business or political and social goals.
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